What we want to do, where we are going and how we decide.
We look for projects with something of their own to say. Popularity, trends and streams do not replace a recognizable voice. You do not need to arrive with everything figured out: intent and willingness to work are enough.
Making the work is only one part. You also have to decide about sound, presentation, communication, distribution and audience, and make those decisions point the same way.
A good proposal may not find an audience, collaborators, venues or services. We want to lower those barriers with promotion, connections, production and outreach.
Services, costs, responsibilities, rights and conditions are stated clearly. Taking part in something at Franklore does not mean giving up your songs, recordings, royalties or rights.
We bring together projects with different sensibilities. Collaborating does not erase anyone’s identity or require a shared look, genre or strategy.
To keep and expand what we do we need an economic model that works. Creative work has value and can be offered through paid services, joint projects, specific agreements or, later on, record label operations.
Guadalajara is where we come from and a priority. We use that closeness to connect artists, document projects and create opportunities.
If something does not meet these, we review it before bringing it into Franklore.
Clear, contemporary, cultural and professional. We will not say we save anyone or promise results we cannot guarantee. We explain what we offer, what we are building and how we can add to each project.
Franklore